Henry Jacob Bigelow Watercolor Collection, 1848-1854. WAM 21142.075—

Dublin Core

Title

Henry Jacob Bigelow Watercolor Collection, 1848-1854. WAM 21142.075—

Subject

Bigelow, Henry Jacob, 1818-1890
Wallis, Oscar
Teaching—Aids and devices

Description

Henry Jacob Bigelow was born 11 March 1818, in Boston, Massachusetts. His father, Jacob Bigelow (1787-1879), was a well-known medical practitioner in the city. Bigelow attended Harvard College, entering at the age of fifteen in 1833, and graduated with a B.A. in 1837. Afterwards, he began studying medicine with his father and attended lectures at Dartmouth College, Hanover, New Hampshire, given by Oliver Wendell Holmes (1809-1894). Bigelow was appointed a house surgeon at the Massachusetts General Hospital, Boston in 1838 and held the post for a year. He traveled to Cuba in the early 1840s and returned to Boston to take his medical degree in 1841. After completing his M.D., Bigelow traveled to Europe, studying medicine in Paris and London until his return to Boston in 1844 to take up medical practice. In the same year, he wrote the Boylston Prize-winning essay on that year’s topic of the relief of deformity and lameness by muscle division. In 1845, he was elected president of the Boylston Society and in 1846, appointed Visiting Surgeon in the Massachusetts General Hospital. In 1849, Bigelow was appointed as Professor of Surgery at the Harvard Medical School. Bigelow was a pathologist by training, but was active in a variety of other fields, including the popularizing of anesthesia by ether, revising the equipment and technique for lithotrity, and working with the anti-vivisection movement. He was a supporter of the claim of William Morton as the discoverer of anesthetic ether and wrote widely on the subject; Bigelow also favored the immediate adoption of ether anesthetic in surgical operations, claiming to have been responsible for one of the first uses of the discovery in surgery at the Massachusetts General Hospital. Bigelow worked with artist Oscar Wallis on a detailed series of medical illustrations of tumors and other specimens viewed under the
microscope. Other drawings on which Bigelow and Wallis collaborated were used in Bigelow's published works or as teaching tools, but the drawings in this collection were mostly intended for a work which was never published. Henry Jacob Bigelow died in 1890 at his home in Newton, Massachusetts, several months after a severe fall.

Oscar Wallis was an artist primarily known for his 1848-1854 collaboration with Henry Jacob Bigelow for a set of teaching watercolors. Wallis also illustrated a volume on pathology written by Bigelow, although this volume was never published. Wallis also contributed lithographic work to Benjamin Champney's "New England Scenery" (1852) and George Bond's "Map of the White Mountains" (1853).

This collection is comprised of the set of watercolor illustrations that Henry Jacob Bigelow employed artist Oscar Wallis to paint from 1848-1854. Bigelow commissioned these large watercolors of anatomical subjects to illustrate his lectures at Harvard Medical School. Wallis painted the teaching diagrams from local subjects and from the atlases of established medical authorities.

Provenance

In 1890 Bigelow presented the watercolors to Reginald H. Fitz to be used in the Harvard Medical School's Department of Anatomy. The watercolors were transferred into the Warren Anatomical Museum between 1890 and 1930.

Collection Items

Teaching watercolor comparing the break of a human humerus at the sixth week of recovery to three broken dog tibias on the tenth and eighteenth days of recovery
After Edward Stanley's Illustrations of the effects of disease and injury of the bones, plates 23 and 24

Teaching watercolor of the reparation of fractures, resulting in both united and ununited fractures
After Edward Stanley's Illustrations of the effects of disease and injury of the bones, plate 23

Teaching watercolor of a fracture of the clavicle
After George W. Hind's Fractures of the bones of the extremities, plate 1

Teaching watercolor of a fracture of the acromion process of the scapula
After George W. Hind's Fractures of the bones of the extremities, plate 3

Teaching watercolor of a fracture of the neck of the scapula
After George W. Hind's Fractures of the bones of the extremities, plate 4

Teaching watercolor of a fracture of the coracoid process of the scapula
After George W. Hind's Fractures of the bones of the extremities, plate 2

Teaching watercolor of a fracture of the humerus immediately above the condyles
After George W. Hind's Fractures of the bones of the extremities, plate 8

Teaching watercolor of a fracture of the shaft of the humerus
After George W. Hind's Fractures of the bones of the extremities, plate 6

Teaching watercolor showing dislocations and a fracture at the elbow
After Astley Cooper's A treatise on dislocations and fractures of the joints (A New Edition, Much Enlarged, 1842), pages 440 and 463

Teaching watercolor of elbow dislocations
After Jean Cruveilhier's Anatomie pathologique du corps humain, vol. 1, liv. 9, pl. 4

Teaching watercolor of fractures at the neck and at the center of the radius
After George W. Hind's Fractures of the bones of the extremities, plate 10

Teaching watercolor of fractures of the radius and ulna
After George W. Hind's Fractures of the bones of the extremities, plate 11

Teaching watercolor of fractures in the radius and ulna near the wrist and fractures of the fingers
After George W. Hind's Fractures of the bones of the extremities, plate 12

Teaching watercolor showing two views of the crural arch on the left side, one with bones and ligaments only, and the other with the addition of muscles, nerves, and vessels
After Thomas George Morton's The surgical anatomy of the principal regions of the human body, The Groin, pages 85 and 87

Teaching watercolor of healthy and injured femurs
After Astley Cooper's A treatise on dislocations and fractures of the joints, plates 12 and 13

Teaching watercolor of damaged femurs
After Astley Cooper's A treatise on dislocations and fractures of the joints (A New Edition, Much Enlarged, 1842), pages 139, 146, 148, 134, 147, and 150

Teaching watercolor of a fracture of the great trochanter of the femur
After George W. Hind's Fractures of the bones of the extremities, plate 13

Teaching watercolor of a fracture of the femur between the shaft and the head near the hip
After George W. Hind's Fractures of the bones of the extremities, plate 14

Teaching watercolor of three badly healed injuries to the femur
After Astley Cooper's A treatise on dislocations and fractures of the joints, plate 14

Teaching watercolor of a fracture of the femur immediately above the condyles
After George W. Hind's Fractures of the bones of the extremities, plate 17

Teaching watercolor of two ununited fractures of the femur
After Astley Cooper's A treatise on dislocations and fractures of the joints (A New Edition, Much Enlarged, 1842), pages 129 and 173

Teaching watercolor of a fracture of the femur below the trochanter minor
After George W. Hind's Fractures of the bones of the extremities, plate 15

Teaching watercolor of fractures of the patella
After George W. Hind's Fractures of the bones of the extremities, plate 18

Teaching watercolor of fractures in the tibia and fibula
After George W. Hind's Fractures of the bones of the extremities plate 19

Teaching watercolor of osteonecrosis and shattered bone which caused amputation of the limb
After Astley Cooper's A treatise on dislocations and fractures of the joints (A New Edition, Much Enlarged, 1842), pages 304 and 307

Teaching watercolor of a forward dislocation of the ankle and of the anatomy of the jaw
After Astley Cooper's A treatise on dislocations and fractures of the joints (A New Edition, Much Enlarged, 1842) pgs. 341 and 257

Teaching watercolor of the dislocation of the ulna at the elbow
After Astley Cooper's A treatise on dislocations and fractures of the joints (A New Edition, Much Enlarged, 1842), page 450

Teaching watercolor of a dislocation of the scapular extremity of the clavicle and a partial dislocation of the shoulder
After Astley Cooper's A treatise on dislocations and fractures of the joints (A New Edition, Much Enlarged, 1842), pages 357 and 406

Teaching watercolor of a dislocation of the sternal end of the clavicle and a dislocation of the humerus at the shoulder
After Astley Cooper's A treatise on dislocations and fractures of the joints (A New Edition, Much Enlarged, 1842), page 351, and Fractures of the bones of the extremities by the same author, plate 29

Teaching watercolor of shoulder dislocation
After Astley Cooper's A treatise on dislocations and fractures of the joints, plates 21 and 22

Teaching watercolor of woman with a dislocated shoulder
After Astley Cooper's A treatise on dislocations and fractures of the joints (A New Edition, Much Enlarged, 1842), page 364

Teaching watercolor of the dislocation of the radius
After Astley Cooper's A treatise on dislocations and fractures of the joints (A New Edition, Much Enlarged, 1842), pages 452 and 459

Teaching watercolor of the dislocation of the elbow and wrist
After Astley Cooper's A treatise on dislocations and fractures of the joints (A New Edition, Much Enlarged, 1842), pg. 459 and 484

Teaching watercolor of damage to the femur and pelvis caused by a dislocated femur
After Astley Cooper's A treatise on dislocations and fractures of the joints (A New Edition, Much Enlarged, 1842), pages 86 and 87

Teaching watercolor of bones affected by rickets
After Edward Stanley's Illustrations of the effects of disease and injury of the bones, plate 20

Teaching watercolor of osteomalacia
After Samuel Solly's Remarks on the pathology of mollities ossium, plates 7 and 8, as printed in Medico-chirurgical transactions (series 2, vol. 9, 1844)

Teaching watercolor of bone neoplasms
After Jean Cruveilhier's Anatomie pathologique du corps humain, vol. 1, liv. 20, plate 1

Teaching watercolor of circumscribed abscesses in bones
After Edward Stanley's Illustrations of the effects of disease and injury of the bones, plates V and VI

Teaching watercolor of the degeneration of the tibia and marrow caused by syphilis
After Philippe Ricord's Traite complet des maladies veneriennes, plate 28 bis.

Teaching watercolor of the superficial bursae over the joints of the fingers and toes
After James Syme's The Principles of Surgery, plate 12

Teaching watercolor of deformed feet
After Vincent Duval's Traite pratique du pied-bot, page 24, and Jean Marc Baptiste Bourgery's Traite complet de l'anatomie de l'homme, plates H, J, and L

Teaching watercolor of clubfeet
Probably after Vincent Duval's Traite pratique du pied-bot, Charles Phillips's Die subcutane Durchschneidung der Sehnen, oder, Die Operationen, welche zur Heilung der Klumpf

Teaching watercolor of clubfeet
After Vincent Duval's Traite pratique du pied-bot, and Jean Baptiste Marc Bourgery's Traite complet de l'anatomie de l'homme

Teaching watercolor of clubfeet
After Vincent Duval's Traite pratique du pied-bot, Charles Phillips's Die subcutane Durchschneidung der Sehnen, oder, Die Operationen, welche zur Heilung der Klumpf

Teaching watercolor of the bones of clubfeet
After Jean Cruveilhier's Anatomie pathologique du corps humain, vol. 1, liv. 2, pl. 4

Teaching watercolor of the muscles of clubfeet
Probably after Vincent Duval's Traite pratique du pied-bot, Charles Phillips's Die subcutane Durchschneidung der Sehnen, oder, Die Operationen, welche zur Heilung der Klumpf

Teaching watercolor of an extremely distorted spine affected by scrophulous caries, cut away to show that the spinal canal is free and regular in its form despite the deformity
After J. Shaw's Engravings illustrative of a work on the nature and treatment of the distortions to which the spine and the bones of the chest are subject, plate 1, figure 6

Teaching watercolor showing a severely distorted spine and ribs
After John Shaw's Engravings illustrative of a work on the nature and treatment of the distortions to which the spine and the bones of the chest are subject, plate 4

Teaching watercolor of the effects of tuberculosis on the spine
After Auguste Nelaton's Recherches sur l'affection tuberculeuse des os, plate 2

Teaching watercolor showing a cross section of the vertebrae in an angular curvature of the spine
After Robert Druitt's The principles and practice of modern surgery, page 317

Teaching watercolor of ankylosis and curve of the spine as found in an elderly individual
After John Shaw's Engravings illustrative of a work on the nature and treatment of the distortions to which the spine and the bones of the chest are subject, plate 1, figure 5

Teaching watercolor of the later stages of hip disease, showing the apparent shortening of the leg on the diseased side
After Robert Druitt's The principles and practice of modern surgery, page 269

Teaching watercolor of the effect of a twisted curvature of the spine in females
After Sir Charles Bell's Practical Essays, vol. 2, pages 125 and 126

Teaching watercolor of stomach neoplasms
After Jean Cruveilhier's Anatomie pathologique du corps humain, vol. 2, liv. 37, pl. 3

Teaching watercolor of an ovarian cyst
After Jean Cruveilhier's Anatomie pathologique du corps humain, vol. 1, liv. 5, pl. 3

Teaching watercolor showing diseases of the rectum
After Jean Cruveilhier's Anatomie pathologique du corps humain, vol. 2, liv. 25, pl. 3

Teaching watercolor of rectal disease and neoplasms
After Jean Cruveilhier's Anatomie pathologique du corps humain, vol. 2, liv. 33, plate 1

Teaching watercolor of four cases of intussusception of the intestines and rectum
After Jean Cruveilhier's Anatomie pathologique du corps humain, vol. 2, liv. 21, pl. 6

Teaching watercolor of a dissection of the inguinal region
After Thomas George Morton's The surgical anatomy of the principal regions of the human body, Inguinal Herniae, plate II

Teaching watercolor of the posterior wall of the inguinal canal
After Thomas George Morton's The surgical anatomy of the principal regions of the human body, Inguinal Hernia, plate 3

Teaching watercolor of the internal surface of the abdominal parietes
After Thomas George Morton's The surgical anatomy of the principal regions of the human body, Inguinal Hernia, plate 4

Teaching watercolor of the spermatic cord going through the inguinal canal and the testis resting in the scrotum
Possibly after Thomas George Morton's The surgical anatomy of the principal regions of the human body

Teaching watercolor of the testis before and immediately after its descent
After Thomas Blizard Curling's A practical treatise on the diseases of the testis, pages 57 and 60

Teaching watercolor of the structure of the crural ring in the groin
After Thomas George Morton's The surgical anatomy of the principal regions of the human body, The Groin, plate 5, figure 1

Teaching watercolor showing the circular dilation of the internal abdominal ring and the changed position of the epigastric artery caused by an inguinal hernia
After Thomas George Morton's The surgical anatomy of the principal regions of the human body, Inguinal Herniae, figures no. 4 and 5

Teaching watercolor of the sheath of the fascia transversalis of the spermatic cord
After Thomas George Morton's The surgical anatomy of the principal regions of the human body, Inguinal Herniae, figure no. 2

Teaching watercolor of major vessels of the hip
After Thomas George Morton's The surgical anatomy of the principal regions of the human body, The Groin, nos. 3 and 6

Teaching watercolor of umbilical hernias
After Jean Cruveilhier's Anatomie pathologique du corps humain, vol. 2, liv. 24, pl. 6

Teaching watercolor of inguinal hernias in male patients
After Jean Baptiste Marc Bourgery's Traite complet de l'anatomie de l'homme, plate 34

Teaching watercolor of indirect and direct inguinal hernias
After Jean Baptiste Marc Bourgery's Traite complet de l'anatomie de l'homme, plate 38 bis.

Teaching watercolor of the external signs of various types of hernias in females
After Jean Baptiste Marc Bourgery's Traite complet de l'anatomie de l'homme, vol. 7, plate 36

Teaching watercolor of an existing congenital hernia on the same side and in the same sheath as an accidental hernia
After J. B. D. Demeaux's Recherches sur l'evolution du sac herniaire suivies de considerations chirurgicales sur les complications auxelles il pent donner lieu, plate 7

Teaching watercolor of hernia in the testis
After J. B. D. Demeaux's Recherches sur l'evolution du sac herniaire suivies de considerations chirurgicales sur les complications auxelles il pent donner lieu, plate 8

Teaching watercolor showing an oblique inguinal hernia where the two sacs are beside each other
After J. B. D. Demeaux's Recherches sur l'evolution du sac herniaire suivies de considerations chirurgicales sur les complications auxelles il pent donner lieu, plate 4

Teaching watercolor showing an inguinal hernia where one sac is within the wall of the other
After J. B. D. Demeaux's Recherches sur l'evolution du sac herniaire suivies de considerations chirurgicales sur les complications auxelles il pent donner lieu, plate 6

Teaching watercolor of a congenital hernia and an infantile hernia in male subjects
After Thomas George Morton's The surgical anatomy of the principal regions of the human body, Inguinal Herniae, pages 281 and 284

Teaching watercolor of the tunica vaginalis and the vessels of the spermatic cord from a scrotal hernia
After Thomas George Morton's The surgical anatomy of the principal regions of the human body, Inguinal Herniae, figures no. 6 and 11

Teaching watercolor of inguinal hernia
After J. B. D. Demeaux's Recherches sur l'evolution du sac herniaire suivies de considerations chirurgicales sur les complications auxelles il pent donner lieu, plate 1

Teaching watercolor of the coverings of the sac of an oblique or external inguinal hernia
After Thomas George Morton's The surgical anatomy of the principal regions of the human body, Inguinal Herniae, plate 5

Teaching watercolor of a dissected inguinal hernia sacs in a female
After J. B. D. Demeaux's Recherches sur l'evolution du sac herniaire suivies de considerations chirurgicales sur les complications auxelles il pent donner lieu, plate 3

Teaching watercolor of the saphenous opening of the fascia lata and the saphena vein, with and without the cribriform fascia
After Thomas George Morton's The surgical anatomy of the principal regions of the human body, The Groin, pages 102 and 104

Teaching watercolor of a femoral hernia in a female patient
After Thomas George Morton's The surgical anatomy of the principal regions of the human body, The Groin, plate 6

Teaching watercolor of inguinal hernia
After J. B. D. Demeaux's Recherches sur l'evolution du sac herniaire suivies de considerations chirurgicales sur les complications auxelles il pent donner lieu, plate 2

Teaching watercolor of a hernia of the uterus
After Jean Cruveilhier's Anatomie pathologique du corps humain, volume 2, part 34, plate 6

Teaching watercolor of obturator hernia
After Robert Druitt's The principles and practice of modern surgery, page 465

Teaching watercolor of two femoral hernias
After J. B. D. Demeaux's Recherches sur l'evolution du sac herniaire suivies de considerations chirurgicales sur les complications auxelles il pent donner lieu, plate 5

Teaching watercolor of femoral hernia of the intestines
After Jean Cruveilhier's Anatomie pathologique du corps humain, vol. 1, liv. 15, pl. 6
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